Sunday, April 4, 2010

How to edit Divx .avi file in PE2

Hi,



I have PE2 and want to edit an .avi movie of Divx format, but all I get is the video and no sound. Can anyone help me?



Thanks

Bobby
How to edit Divx .avi file in PE2
Like most video editors, Premiere Elements can not edit Divx movies. (Divx is considered more of delivery format than an editing format.)



I've also searched for converters in the past but have yet to find a Divx/DV-AVI converter that I'm satisfied with.
How to edit Divx .avi file in PE2
Have you looked at www.divx.com ??



Since they own the codec, it would seem to me they would have tools to edit the file



Of course... that is logical... and logic is not always followed by vendors

Bobby,



To date, I have had good results converting from DivX and Xvid to DV-AVI with Deskshare's Digital Media Converter (shareware, but with a trial). Now, you do need to have the proper CODEC's properly installed on your system, as DMC does not ship with any of its own. It allows batch conversion (to a single folder), and is quite fast on my workstation and laptop. I cannot recall a conversion that PE would not play perfectly with. ''Perfectly'' does leave out the quality hit, but you get that when the source material was initially encoded as DivX. Nothing that you can do will ever make it better. Note: DMC is not DivX-specific. It will handle *almost* anything. If it does not, initially, I run the file through Digital Video Repair (freeware for AVI files), and work with its ''repaired'' version. That has always fixed any problems.



As a side note, I have had some issues with Premiere Pro Importing some of these conversions with a truncated Duration - do not know why, as they are full DV-AVI with the MS CODEC. I learned to Import them into PE (comes in with the proper Duration and synced Audio, if it was in sync in DivX), then Export to DV-AVI from PE. Viola, PP now sees the proper Duration. Do not know what exactly causes the problem, but a quick run through PE fixes it. One more step, but has been 100% so far.



Good luck,



Hunt



PS remember that you WILL need the CODEC's properly installed first. I also suggest buying your CODEC's, rather than getting free, hacked, or reverse-engineered ones. This aleviates a lot of problems.
  • facial blackheads
  • PE3: Hangs when starting to burn DVD

    Hi



    When burning DVD, at the final stage, after encoding successfully, consistently fails to start to burn. Unable to stop by '' Cancel'' Have to ''end task''. When hanging, CPU is spending 50% running PE3.Opening and closing DVD drawer to possibly raise an interrupt didn't help.



    I have searched extensively the various help areas and I think I have done all I can. See below. This is a third of a video which is a mixture of slides and short video clips. The other two work fine. They are all about the same length ( 20 mins). The video is fully rendered.



    Environment

    XP

    Dual core 3G cpu

    3G Ram

    Cleaned up and just defragged C drive, 50% of 160G free, and 50% of 0.5Tb external hard drive.

    All software up to date

    No other activity at all on system

    Tried straight after system restart



    I am aware I could use the AVI route bur when I did this I didn't get the initial menu screen.
    PE3: Hangs when starting to burn DVD
    This sounds like another case of your DVD burning software (Nero is famous for this) not being willing to share your burner with other software.



    In that case, the simplest solution is to select the option to burn to a folder on your hard drive instead of directly to a disc and then using your burner software to create your disc.

    http://www.adobeforums.com/webx/.3bbfa615
    PE3: Hangs when starting to burn DVD
    Steve



    Thanks for quick reply.



    Unfortunately I don't think this is the problem as I don't have Nero and I don't think my Sonic burns DVDs. I think the last time I tried it asked me to pay money to upgrade to get this. There may be a Microsoft program lurking unbeknown to me. If so, unless I have STARTED it or an OPEN WITH pops up, would it interfere?



    Also I have successfully made two other DVDs at the same time, of very similar size and content. I did have a lot of problems rendering this one initially because of '' unmerged layers'', as with the others but its all clean and stable now.



    I have made this one successfully the FOLDER route but don't seem to get the initial Menu and I would like to make it '' properly''!!



    Chris

    There's no reason you shouldn't get the menu system and the entire VIDEO_TS structure for a DVD when you burn to a folder, Chris.



    Are you doing everything you would do to burn a DVD except, at the Share/Disc option, selecting Folder from the destination drop-down menu?

    Steve

    Steve



    Thanks again.



    I checked and when I made it before, it was by ''Export movie'' route to folder as AVI and then reimporting that to Timeline in a new project,which I found somewhere in Help. That route missed off the Menu.But it did work otherwise.If all else fails I will have to stick at that .



    BUT this morning I tried the Burn to Folder option in Burn DVD window(not quite same dialogue as you said) This also hung after about half the time, having done the encoding Ok. Again no error, and couldn't ''Cancel'' had to end task. And again 50% CPU to Adobe.Looked identical to when trying to do direct to DVD.



    Also when it hung trying to burn directly, the DVD was '' being used by PE'' as I checked by trying to do things to it from Control panel( format)



    Chris

    You lost me, Chris. I can't tell what's going on. It could be related to your source files, the room on your hard drive, an out of date driver or even something buggy in your project.



    The best thing to do is work through these troubleshooting steps.

    http://www.adobeforums.com/webx/.59b5f52c/1



    If you'll report your results for each step in as much detail as possible we'll be better able to diagnose your problem and recommend solutions.

    Steve



    Thanks. I will check out the link, but otherwise give up as I have a work around. As an ex computer person I always believe things are fixable and I like to fix things,but it can sometimes take too much time. I tend to think like you its something in the project as I had a lot of problems rendering this due to unmerged layers, which won't happen again.Shame once the burning starts you cannot see were it gots to, to see what its waiting for. Its certainlynot RAM, disc or CPU!! So thanks and we will leave it there.

    Chris

    Correcting exposure

    I am having fairly good results in transfering old 8mm film to DVD.



    A couple of the old films are overexposed. Is there a way in PE2 to compensate for this?



    Thanks, Bill
    Correcting exposure
    That can be pretty tough, if you mean areas that are actually whited out.



    You can adjust some brightness and contrast using the Image Control properties.



    But if the pixels are blown out completely white or red, there's not much you can do to rescue them.
    Correcting exposure
    not totally whited out, just light--will try your suggestions.

    Thanks, Bill

    Bill,



    If your highlights are completely blown, the two Effects that I usually reach for are Levels and Highlight %26amp; Shadow. I do NOT use their Automatic settings, instead I manually adjust them. Most times, I'll have to Razor my Clip and apply a separate setting for each, or both Effects, to that segment of the main Clip. Note that in Premiere (Elements or Pro) the exact order of an applied Effect can have different results. Experiment with the order of the Effect, if you use both, or others. This CAN make all the difference in the world.



    When you do this work, expand your Monitor up to quite large. Only other Panel that you'll really need is the Effects Control Panel. I'd also set my Monitor to 100% to do the work, resetting back to Fit, when done.



    Last, your Render times will very likely go up. Be patient, and good luck.



    Hunt

    What is the luma key and how is it...

    How do I used this effect?

    Thank you
    What is the luma key and how is it...
    Are you talking about the setting on the track matte?



    The alpha setting bases transparency on the whiteness of the selected layer.



    The luma setting bases transparency on the red, green and blue brightness of the selected layer.



    It's easier to demonstrate that explain. I suggest you experiment, using multi-colored clip to create your track matte.

    Completely remove frames from finished...

    I am new to video editing, and Adobe Premiere Elements 7 in particular. My first movie project is a one clip movie with lots of frames. I cut 45 minutes of run time off the end of the this clip. However, when I burn the DVD the frames that I cut off is included in the movie. I have read the manuals, and searched this site but can find out what I am doing wrong.

    Appreciate any help.

    I am using a DELL XPS 400 computer with Windows XP PRO.

    James
    Completely remove frames from finished...
    Can you describe how you trimmed this footage and what you see on your timeline?



    Can you post a screen capture of your timeline?
    Completely remove frames from finished...
    Thanks for your reply, Steve.



    I tried to follow instructions in the Help that say a clip can be

    clipped by dragging from either end. In my case I place the funny

    looking icon on the extreme of my clip and drag to the left until

    I reach where I want the clipping to stop. At this point all the

    unwanted frames are gone from the Timeline. I do a save and then

    move on to the Share section and burn to a DVD. When I play the

    DVD the entire movie clip, including the clipped frames are present.



    I was able to copy a picture of the end of Timeline after clipping

    but have to figure out how to get it posted on this forum.

    James

    E-mail your screen cap to me at steve at muvipix.com and I'll post it to this forum.



    It sounds like you're doing everything right, but it's hard to say without seeing it.

    James,



    The statement ''funny looking icon'' makes me wonder if you are accidently using the Time Stretch, or other Tool. You should also be dragging from the ''Head,'' or ''Tail'' of the Clip, to alter it in the Timeline. The Icon should look a bit like the

    b [

    with

    b 鈫?

    in the middle. This cursor is placed at the very beginning, or end, of the Clip to change its In %26amp; Out Points.



    When this is done to a Clip that is between others in the Timeline, your selected Clip will be shortened and all gaps will close up with the existing Clips. If you hold down Ctrl, while dragging, a gap will be formed between Clips and the rest will NOT move. (Just to opposite of how it works in Premiere Pro).



    Good luck,



    Hunt

    Thanks for your response, Hunt.

    I am doing just what you and the book say to do. My project has

    one clip that is over 2 hours long. I click on the selection tool

    and then place the cursor at the very end of my clip and drag to

    the left until I get to where I want to stop. During this time

    the icon is just as you describe, a two headed arrow with a

    red right bracket that has arms facing to the left.

    All look good until I burn or save the movie for viewing; then the

    clipped frames are included in the final movie.

    James

    What type of file is that, James, and what kind of camcorder did it come from?

    I think I misunderstood your original request for a screen shot

    from my Timeline. What I sent you is a .jpg file that shows a

    print screen' shot taken of the Timeline. As you can probably

    see. I don't know anything about this video editing stuff.

    The original input file was taken using a Canon ZR70 mini DV camera

    in 2004. I am attempting to migrate the old movie files to DVD.

    Let me know if there is a better way to get the Timeline frames

    to you.

    James

    I'll pick it up from my Muvipix mailbox when I get home tonight and post it then. Thanks, James.

    Thanks Steve, I will look for your reply. In the meantime I am

    going to see if the same thing happen when using different input

    movie clip(s).

    James

    James,



    The files from Capture of the ZR70's tape, if you used PE, will be fully compliant DV-AVI files, unless it differs radically from my ZR-70MC. This blew a theroy that you might have had compressed MPG files, or other that are full I-frame. In your case, you have a ''full frame'' 29.97x/sec.



    It *sounds* like you are doing it correctly. You are editing in the Timeline. You are using the Selection Tool, and getting what sounds like the proper cursor. You are dragging the ''Tail'' of your Clip to the left, to end it at the desired point.



    Did you set In %26amp; Out Points in your Source Monitor?



    As a test, move the CTI (the Current Time Indicator) along your Timeline, until it is over where you wish the Clip to end. Hit the ''C'' key to get the Razor. Position it at the point that the CTI is across your Clip, and click. This will ''Cut'' your Clip into two pieces (Audio %26amp; Video). You'll now have a long Clip, and then the short one at the end. Hit ''V'' to get back to your Selection Tool, and make sure that your smaller Clip is Selected. Hit Delete. It *should* disappear from your Timeline. Try your Export again. It *should* NOT include the material that you eliminated.



    Note: your method *should* yield the same result. For some reason, it is not. If you can get what you want with another method, you can finish, and we can address why setting a new Out Point is not working for you.



    Good luck,



    Hunt

    Thanks Hunt, I have tried the steps you outlined but the trimmed

    frames still remained in the final movie.

    After further digging I realize that my input file contain new

    recording over some old footage on the DV tape. The old footage is

    longer than the new recording. It is that old footage that extend

    beyond the new recording that I am trying to discard. For some reason

    PE see it as one long clip that cannot be cut and separated. I used

    some different input files to populate the Timeline and did some

    trimming, and then burned the results to DVD and the trimmed frames

    was not included in the final movie. Therefore, my problem deal with

    just this one file. I tried to import the original movie clip into

    Windows movie maker and it won't even take it. I get an unspecified

    error each time I try. I am just going to keep one of the DVDs I

    have burned with all the frames, and drop the issue.

    Thanks to all that has tried to help me with this problem.

    If something come up during my studies that explain how I can

    clip and delete frames and they still show up in the final movie

    I will return and post an update.

    James

    James,



    I have never encountered, nor have I read of, such a problem. It IS odd behavior, to say the least.



    As a workaround, can you recapture from your tape in PE? Unfortunately, others will have to give you specific instructions, as I use other Capture software. I *believe* that you can set Capture to ''scene detect,'' and see if this alters things. Note: some Capture programs will create separate files for each ''scene,'' while other will just Capture one long file, but will ''break'' that up into ''virtual files,'' for editing. It is these virtual files, that appear as Clips in the program's Project Panel. Steve, or others can fill in the exact details for PE.



    I would try the recapture, in hopes that it will get you editing. It will be interesting as to the exact cause of this anomaly.



    Let us know how it goes and what you find out.



    Good luck,



    Hunt



    PS, another possible workaround would be to Export as a DV-AVI file, and then bring that into another Project. Try to trim/delete the extraneous footage there. One additional step, but might get you back to editing.

    Here's James's screen cap.



    I'm afraid it doesn't tell us much though. (I was kind of hoping you'd post a screen cap of a bit more of the interface, so we could at least see things like the name of the clip, with its dot-suffix, and how it's listed in the media panel.)



    Although, if you're using a DV-AVI and you've got a red line above it on your timeline, that's often a sign that something isn't kosher somewhere.



    James, I think you should consider Hunt's suggestion. Doing a File/Export/Movie of your clip is a way to process it so that comes out a ''pure'' DV-AVI. Doing so will also import a copy into your media panel, so you can try replacing this clip with that new clip and see if you still get a red line above it.

    At the end of the movie where you want it to end, you need to click on ''Add Menu Marker'' then in that window, in the ''Marker Type'' drop-down list, choose ''Stop Marker''. Now when you preview your movie, when it hits that stop marker, it will stop. Also if you have a movie menu, and scene selections at the beginning, after it hits that stop marker it will automatically go back into your Movie menu just like the store bought movie DVDs you are used to watching. Also it is a good idea to ALWAYS preview your finished project to make sure it is right, that way you, can go back and fix what ever you need, (ie: movie keeps on going, even through the end part I cut out). It will also cut down on turning DVD disks into coasters.

    Rendering Options - Advice

    (Sorry if this is a double post... I posted last night but the forum seems to have eaten it...)



    I'm wondering what my Rendering Options should be for DV-AVI export. Here's what I currently use:

    *Bit Depth - ''Use Project Setting'', why not use ''Maximum''?

    *Fields - Lower Field First

    *Deinterlace - is NOT checked

    *Optimize Stills - is checked



    Details:

    *Source video is DV-AVI, captured via FireWire. Some source is analog 8mm captured via digital 8mm Handycam; remainder is digital 8mm.

    *I edit pieces, then export them as DV-AVI (this is the part I'm interested in)

    *My final step is to put all previously exported DV-AVI on a timeline, and burn to folder for later DVD creation.



    I'm looking for optimal settings, since I want to save them to a preset.



    Also, does it make any difference whether the DVD will be shown on an LCD TV (progressive scan, correct)? What about whether the DVD is played via a normal DVD player or one that upsamples to 720 or 1080i?



    Does any of this matter, since the DV-AVI is eventually brought back into Premiere?



    Thanks!



    P.S. Sorry if this is answered somewhere. Seems like a common question, but I searched the forum w/o much luck.
    Rendering Options - Advice
    Since you're working with DV-AVI from a miniDV camcorder, you might as well export it ''same as project'', since that's native, same as the original. Particularly since you're bringing it back into Premiere Elements.



    As for the rest of your project, let the DVD burner software and your DVD player handle that. If you start messing with settings, you'll like undo what these things fix automatically for you.
    Rendering Options - Advice
    Steve, the only ''same as project'' setting that I see is for controlling Bit Depth. It doesn't look like it controls the other fields.



    The options for Bit Depth are: a) Project Setting, b) 8-bit, or c) Maximum. I have it set to Project Setting.



    The fields I'm confused about are ''Fields'' and ''Deinterlace''.



    The options for ''Fields'' are a) No Fields (Progressive Scan), b) Lower Field First, c) Upper Field First. I have it set to Lower Field First, although I have no idea why, nor what's best or what selecting other options would do.



    Ditto for ''Deinterlace Video Footage''. It can either be checked or not. I have it unchecked. Again, no idea why, nor what the optimal setting would be.

    I'm saying don't change any settings, Ed. Just go File/Export/Movie and let it export your AVI at the default settings.

    Oh, OK, understood.



    Thanks, Steve!

    My Exported Movie Lags and basically...

    I've spent ages making this movie and now that I've finally exported it the movie doesn't even work good. It just lags, where it stays on one frame for ages, skips like a billion in between and then finally goes to the next frame. So basically what I'm asking for here is what do the video options actually do and which ones would I need to make the frames move past smoothly.



    Also when there is movement in my movies the movement turns into lines, it would be helpful if I could get rid of that.



    PS: I only have Premiere Elements 3



    Any help would be appreciated thank you.
    My Exported Movie Lags and basically...
    You haven't given us nearly enough information to help you, goodlukeing.



    We don't know what type of video you're working with, what format you're outputting, what you're playing it on, what processor your computer has, how much RAM and hard drive space or even which operating system you have.



    ''Basically sucks'' really doesn't give us much to work with.
    My Exported Movie Lags and basically...
    Some of my videos ''Basically suck'' also. But believe me, that is no fault of Premiere Elements :)

    Hi,



    As i stated using premiere elements, being an amateur, there used to be a lot of difference in the quality of movie that i used to import/edit and export. The reeason i later so discovered(thanks to this great forum, and even greater contributors), was that either combination of my project settings, my footage type and my export settings 'd a lot of disparity.

    After being a little careful, the results improved.

    Hope this information helps.



    thanks

    Daniel
  • facial blackheads
  • Backwards Question: Purchasing PE7 is...

    I've enjoyed PE3 for the past couple of years and it is matted quite well with my little Panasonic GS-320 MiniDV. I'm realatively new to camcorders and I really lucked out finding how great the PE series really is. Therefore, I consider myself pretty loyal to the Adobe line and especially this forum (special thanks to Steve and Paul for awesome advice and comments over the years --you have no idea how much time and frustration you both have saved me).



    Anyway. I'm strongly considering entering the high-definition realm and I really want to upgrade to PE7. The only catch is that I will have to make due with my current hardware setup, which is as follows:



    Intel Core 2 Quad QX6600 @ 2.4GHz and 2Gigs RAM. I also have SATAII drives and an nVIDIA 7900 (yeah the vid card is kinda old).



    I could upgrade to 4Gigs RAM, but would VISTA 32 recognize it?



    So Question 1 is: Could/should I get 4Gigs of RAM?



    I'm struggling between the two HD formats: HDV and AVCHD. So I hear HDV is probably the easiest to edit (I do a LOT of editing; lots of scenes and transitions) and less taxing on the computer. I like the idea of HDV, but I'm a bit weary of the real time capture and time limitations per tape.



    Therefore, Question 2 is: Should I go the route of HDV or get an AVCHD camcorder that can record more material without the need of switching tapes? HDV seems the more seemless route, but I'm equally concerned about quality. Would the footage be better if I get the full HD resolution in AVCHD at 1920x1080 and downgrade it to 1440x1080, or just work front to end with HDV at 1440x1080?



    I will be using the camcorder mainly for general use, with some interviews here and there, some fast paced action scenes as well. I really like vivid colors (I love the 3CCD concept, but most cameras in the $1,000 range dont have 3CCDs anymore, I'm finding) It seems everyone is going to CMOS or 3MOS these days, which I know little about. Ultimately, I really would like vivid colors and smooth video.



    Thanks in advance for any help/advice!



    -Jon
    Backwards Question: Purchasing PE7 is...
    In my opinion, if you want to edit with Premiere Elements, you want to get an HDV, tape-based camcorder. Most any will work, although the Canon HV20 and HV40 are very popular and produce excellent results. (The HV30 has some problems.)



    You definitely have more than enough power, even with 2 gigs of RAM, to do this. But, with Vista 32-bit, you can use as much as 4. With a quad-core processor, that's up to you. You'll know after you test drive.



    The challenge with Premiere Elements is that it edits AVCHD natively -- as opposed to, say, Apple's Final Cut, which uses a proxy (sort of a lower resolution preview clip) for editing, then uses your native files for final output. This means AVCHD in Premiere Elements puts a tremendous strain on present technology.



    With your rig, you can probably still handle it. But, in my opinion, you're better with having power to spare than working at the edge of your computer's capacity.



    Does that help?
    Backwards Question: Purchasing PE7 is...
    I highly recommend a tape based camcorder if you want to have a really fun experience with Premiere Elements ;)



    Some great information available here

    http://muvipix.com/phpBB3/viewforum.php?f=26

    Steve,



    Thanks for the reply and all the information! Yes, I think I will highly consider HDV over AVCHD.



    Chuck,



    Thanks for the link. I'm definitly taking the time to look through it!

    Premiere elements 7 crashing at splash...

    ok , i reinstalled it a few times and its still crashing , basically it loads up , and starts to load all the .dll files , when it reaches rapture32le.dll it suddenly crashes .



    i can post a screen shot if needed , any help appreciated .



    FYI my system has everything needed to run Premiere very well .
    Premiere elements 7 crashing at splash...
    Have you installed the latest version of Quicktime?



    If so and you're still having problems, I recommend you contact Adobe Tech Support. There's something wrong at your end we may not be able to troubleshoot here on the forum.

    http://www.adobeforums.com/webx/.3bbe7d56
    Premiere elements 7 crashing at splash...
    Steve,



    One note from the Adobe CS4 forum (mainly from the Mac-side of things):



    It seems that QT 7.5.5 worked well, after the debacle of the 7.4.x versions. However, a lot of folk are having issues with QT 7.6 (the latest version, IIRC). I've only read of a few PC-users having issues with this new one, but some have. Talk is that Apple is going to release a newer one (probably 7.6.x) to try and fix some of the things that 7.6 ''broke.'' Do not know if these issues with the newer QT are limited to things Adobe, because I do not read the AVID, FCP, Pinnacle and Vegas boards. If they also have issues, I would not know of them.



    I have not read of any issues with QT 7.6 and PE, so maybe it is relegated to CS4 issues only.



    Personally, I try to keep several older versions of QT on my machines, especially after the QT 7.4.x problems. If the ''latest'' doesn't do the trick, maybe a roll-back to 7.5.5 will work better for them. The same for my nVidia drivers. Roll-backs seem to be the ''thing'' right now.



    Just a comment,



    Hunt

    Crashing on the Splash Screen can also mean out of date audio and/or video drivers. Check for updates.

    I think we also need to be clear in our description.



    ''Crashing'' on the splash screen is not the same as getting a logo screen that vanishes without loading the program and they have very different reasons for happening.



    Failure to launch is very different than launching but shutting down with an error code.

    as a reply , its crashing after it launches , so it starts initiating all the sequences before crashing

    So it's not just stopping. It's crashing. Locking up your system. Posting an error code. That sort of thing.



    Again, that's very different than simply not finishing launching.

    I run the application and get the splash screen and then as it is loading I get the error message: The instruction at 0x0a1410e3 referenced memory at 0x00000018. The memory could not be read. In the past I would reload the software and it would run. Recently I updated my quicktime, so I will try to roll back it and see if it runs. Then I will try to just reload the application and see if it works. I had to do this about 5 times in the past.

    src/timecode.cpp995

    I am trying to aquire DV footage from my camcorder thru an OHCI firewire card in Premiere Pro CS3 and I get this error src/timecode.cpp995 whenever I click on the aquire button in the file menu. Then there is the same runtime error as above and the program closes. I tried to uncheck everything in the settings about capture and I even tried to uninstall my firewire card. Then I tried with the camera plugged in, On/Off, no camera, even with no firewire card. My card works perfectly with Windows movie maker ! I even tried to repair the program with add/remove program. Nothing worked. Can you help me ?
    src/timecode.cpp995
    This is the Premiere ELEMENTS forum... go here and select for Pro



    http://www.adobeforums.com/cgi-bin/webx/.3bbe4d6a/

    msvcr80.dll error starting Premiere...

    Just downloaded Premiere 7. Installed and attempted to run for the first time. I get the error: App Ver. 7.0.0.0, mod name msvcr80.dll

    I am running XP Pro SP3, 1.78G processor, 2G RAM.
    msvcr80.dll error starting Premiere...
    Have you tried uninstalling and reinstalling?



    Also, make sure you have the latest version of Quicktime.



    BTW, if that 1.78 ghz processor is a Pentium, as opposed to a dual-core, you likely don't have enough power to run the program to any degree.



    Also, ensure that you have at least 50 gigs of free, defragmented space on your hard drive.
    msvcr80.dll error starting Premiere...
    Yes. I have tried reinstalling. We'll just have to see about the processor. Yes I have +50G hard drive space. The error occurs before the program completes loading.

    Matt,



    Might want to take a look at this thread:

    http://www.adobeforums.com/webx/.59b6a270



    Something in it might work for you.



    Good luck,



    Hunt

    Hi Matt,



    you need to take a look at the other softwares which are installed on your system. Tell me if there are any audio or video editing softwares installed.



    Also tell me which audio and video drivers do you have?



    Apart from this you also try to install Premiere 7 on another system with lesser applications installed on it and see if it is working fine.



    Let me know about your finding.

    Beat Markers

    Can anybody explain (or point me to an explanation) of how beat markers work? I've search the help files, this forum, the web... and nothing really except how to create them - which I already know.



    Specifically, I'm looking for how clips behave when they are under or close to a beat marker.



    Last night, I created a beat marker above a clip, and it almost seemed as if the clip was anchored to the timeline - I tried moving it but instead got some sort of dragging function? It was weird. In and out point handles might have been different, too.... not sure.



    I didn't have a lot of time to play around, but Premiere definitely acted differently on clips under beat markers than on other clips. Or maybe it's something else I was doing? Dunno. I tried to do some research but came up empty.



    ETA: PRE7
    Beat Markers
    Well, I do cover it in my book, step by step. ;)



    If by beat marker, you mean the little musical notes that appear when you use Find Beats on a music clip.



    Those markers can be used manually, as you create your timeline. Or, if you use the Create Slideshow feature, you can set the program to add clips and automatically change them at each beat marker.
    Beat Markers
    Yes, the little blue notes!



    I created them using the Find Beats (sub-par results, but I haven't given up tweaking settings to see if I can get better results... seems like it would be a cool feature) and manually. I haven't used the Create Slideshow.



    I can get the little buggers generated, but clips on the timeline underneath them seem to operate under a different set of rules than clips under any other marker!



    So question #1 is: am I truly seeing different clip behavior under a beat marker, or is that due to something else (I wasn't drinking, but it was pretty late so maybe punch drunk?)



    And question #2 is: if it is different behavior, is that behavior what you're saying is covered in your book?

    You won't say any special behavior because there's a beat marker or unnumbered marker on your timeline.



    They're just there as bookmarks, for your reference. (If you right-click on the tic marks along the top of the timeline, you can select the option to jump from marker to marker.)



    About the only time they're truly functional is when you use the Create Slideshow feature.

    %26gt;You won't say any special behavior because there's a beat marker or unnumbered marker on your timeline.



    Hmm. Well, let me go back to the drawing board, because I had both unnumbered and beat markers and I could have *sworn* I saw different behavior with clips under the beat markers.



    For example, I tried dragging the clip to a new location, and it wouldn't move... instead, a kind of ''vertical bar'' cursor appeared and dragging caused the clip to lengthen on one side. It was not the usual ''bracket'' cursor used to stretch the clip.



    Just to be clear, you're saying that a beat marker should function no differently than an unnumbered marker, right?



    Like I said, let me try again....



    Thanks!

    They're identical. Adobe just made beat markers cuter in version 7.

    OK, here's the behavior I'm seeing.



    I have a DV-AVI clip that's 23 seconds long. I start a new project and put it at timeline position 0.



    I put the CTI at 1;00;02, and manually place a beat marker. So now I've got a 23 second clip, about 40 seconds of nothing, and then a beat marker. So far, so good.



    Now, I start dragging my clip toward the beat marker. Just a normal click + drag. At some point, the right edge of the clip hits the beat marker and ''snaps'' to it, as indicated by the black vertical line.



    But here's the weird part...if I don't release the mouse and keep dragging, the right edge stays snapped to the beat marker but the left edge (indicated by a white vertical line) continues moving - meaning the clip is now being shortened!



    At some point, the clip reaches some magical length and all of a sudden the right edge ''unsnaps'' (i.e. becomes unlocked from the beat market), and the right edge jumps to the right on the timeline and the clip is now back to its original length.



    I played around, and if I released the mouse after the clip shortening started but right before the right edge unsnaps (i.e. maximum shortening effect), I find the clip has been shortened to 0;0;18;06 (from 0;0;23;02). The only thing I did was drag the clip!



    I tried the same thing with an unnumbered marker and this definitely does NOT happen. The right side of the clip will snap to the marker, but as I keep dragging, nothing happens... the right side stays put, the left side stays put... until I drag far enough and then the whole clip (with intact length) jumps to the new mouse location.



    Just out of curiosity, I tried the beat marker test by placing a clip to the right (i.e. past) the beat marker and dragging the clip left. Oddly, when the left side snaps to the marker, normal behavior occurs. The length remains intact until I drag far enough and then the clip jumps to the left to the new mouse location.



    If I continue dragging left to the point where the right side now snaps to the beat marker, the second it snaps the clip instantly becomes 0;0;18;03 in length. If I continue dragging left, now the left side continues moving left while the right side remains put, in effect lengthening the clip.



    Watching the behavior, I'm wondering if this is just a bug in Premiere.

    In case of beat markers, if you move or place set of photos/videos on timeline they tend to snap to the beat markers, so that you get the cut at the beat locations.

    Ed,



    It appears from your tests, that Snap gets really ''strong'' with regards to Beat markers, and adds an additional ''feature.'' What I would do is turn Snap off, Timeline%26gt;Snap, until you had your Clip(s) in the general area that you want them, then turn it back on to Snap [to the Beat].



    When syncing Audio to Video, I always work with Snap off, but remember to turn it back on, when I am done with that edit.



    Last note: if you have ''spaces'' in your Video, I'd go back and add Black Video (Project Panel%26gt;New%26gt;Black Video) and size it to fill the gaps. Many have experienced problems (often Failed to Return Frame errors), when there are gaps in the Video. Some, however, do not seem to encounter any problems. I still fill gaps religiously with Black Video, using Dip-to-Black (or Cross-dissolves) as Transitions.



    I'll have to explore Detect Beats, because I have not used it in PE. I'll usually use the * key (numerical keypad) to set these and manually edit to them. Thanks for pointing out the behavior of the Beat Markers, as it would have thrown me too. I can see why it does what it does, considering that the user has already said, ''detect the beats, because I wish to edit to those.'' Still, I would not have expected it to be so ''strong'' about it. Your observation is appreciated.



    Hunt

    %26gt; that Snap gets really ''strong'' with regards to Beat markers, and adds an additional ''feature.''



    Yes, very well put! I'm still not sure whether it's intentional on Adobe's part, or a bug, but either way, there's definitely some different/odd behavior associated with beat markers.



    Another thing to note about this behavior... my tests used a single clip with a single beat marker to illustrate the problem, err, I mean feature. :) But where it gets REALLY weird is when you have multiple beat markers close together (as you would for music).



    Oh well. I'm glad I did the test to figure out what was going on, at least now I know what it's doing (although I'm not sure *why*) and how to work around it.



    Re: black spaces. I never leave spaces - at least not intentionally. That was only for my test. However, I had been adding the ''black video'' by just creating a blank title and sizing it - thanks for the tip about New %26gt; Black Video... that's MUCH easier!! :)



    Also, thanks for the tip about the ''*'' key to manually set beat markers. I've tried about 6 ways from Sunday to get the Detect Beat to work, and have yet to get a result that's usable. What's really perplexing is how PRE creates randomly spaced beat markers... like the interval from #1 to #2 will be one second, then #2 to #3 will be 1.5 seconds, then #3 to #4 will be .5 second, then it skips 2 seconds... what in the heck kind of music does Premiere think we've created?!?! I would think that a default behavior would be to at least create consistently spaced intervals... generally speaking music has a fairly consistent tempo beginning to end. Sometimes you may get a tempo change, but it's not going to change 4 times within a measure, you know? Well, a gripe for another thread! :)

    Maybe this will help

    http://muvipix.com/phpBB3/viewtopic.php?p=39663#p39663

    Premiere Elements 3.0- Aspect ratio of...

    I am inserting some pictures into my project that are the exact same size (720x480) as my final video export, however, they are getting squished down in the previews and in the final export, look more like 640x480.



    Is there a way I can control this or prevent it from happening?



    Thanks in advance!
    Premiere Elements 3.0- Aspect ratio of...
    Video uses non-square pixels -- unlike your photos, which use square pixels.



    If you put a 640x480 image into your video, it will fit perfectly in a 720x480 video frame.
    Premiere Elements 3.0- Aspect ratio of...
    So there is no setting to make the image fit properly in Premiere?? I have already spent hours making these blocks in Photoshop, and redoing them would be a hassle.

    If you've got Photoshop CS - CS4, you can change the pixel aspect ratio of your photos to .9 DV.



    Otherwise, you can right-click on one of the pictures on the timeline and select Open Properties. Then open the Motion settings and uncheck Constrain Proportions for Scale and set the scale for the horizontal to 90%. That should make that picture perfect.



    Then right-click on that picture on your timeline and select Copy, then lasso or shift-click to select all the other photos on your timeline, right-click and select Paste Attributes.



    Great book I wrote, by the way. Full of gems like this! ;)

    Make sure Scale to Frame Size is not checked in Edit/Preferences (or is it Edit/Project Settings?)

    Edit/Preferences.



    But, even if you turn it off, it won't have any effect on the photos that are already in your project. You may have to right-click on each photo and turn Scale to Frame Size off manually.



    Or you could do it to one photo and then use Copy/Paste Attributes to carry it to all the others.
  • facial blackheads
  • files missing when PE4 reopened

    When I open an existing project my files are appropriately listed and working in the project list, but missing from the timeline and scene views. I just have black images in there place. What's up?
    files missing when PE4 reopened
    What are the files and where are they located?



    If they are photos, have you optimized them to no larger than 1000x750 pixels, per the FAQs at the top of this forum?

    http://www.adobeforums.com/webx/.3bb8822c
    files missing when PE4 reopened
    The are AVI files in the ''my videos'' folder.

    One other thing. The audio is there, just not the video.

    I'm assuming My Videos is on your C drive.



    Did these AVIs come from a miniDV camcorder, captured over FireWire, or from some other source?



    If they came from some other source, what happens if you open on in Windows Media Player, then go to File/Properties? What video codec does it show?

    ffdshow Video Decoder is the codec listed.

    They came from a HD digital camcorder. they are 720p AVI files.

    That codec is clearly what's at the root of your problem.



    You don't say what kind of HD camcorder you have or if you captured via FireWire, but you're apparently not using Premiere Elements to capture and whatever your workflow is, it's not going to work well with Premiere Elements.



    If you have a tape-based HDV camcorder, we can still make it work. But if that camcorder is actually recording in ffdshow, you're probably not going to be able to do it without finding some way to convert the files to a more traditional hi-def video file.

    I am using a HD digital camcorder that captures AVI files on a SD card. I copy the files to the C drive and open in PE4. Is PE4 not compatible with FFDS encoding?

    No. Sorry.



    You can try importing that video into Windows MovieMaker and using MovieMaker to output a more standard DV-AVI, per the FAQs at the top of this forum.

    http://www.adobeforums.com/webx/.3bc247e2



    Otherwise, you're pretty much limited to MovieMaker (if it works with that codec) or the editing software that came with the camera.

    PE4 output DVD sometimes blury

    I have imported AVI from a USB capture device (720x576) but when I burn to DVD and play back the quality is blury in parts .

    But when I playback on PC its ok.

    Note I have output using PE4 using Dolby DVD default profile bitrate for 1H:45min is about 5.4 Mbps

    any reason for this, do I need to change bitrate or ''Field options''?



    thanks
    PE4 output DVD sometimes blury
    actually just looked at the source video and its looks like there is some sort of ghosting.. I wonder if thats an artifact of VHS conversion.
    PE4 output DVD sometimes blury
    That would make sense.



    Capturing over a USB-connected device will really never give you true Dv-AVI.



    And if your AVI is using another codec besides DV (Cinepak, for instance), you'll have problems when you run in through Premiere Elements.



    The best advice is to only use video captured with one of those devices with the software that comes with it.



    And, to capture for editing in Premiere Elements, use a FireWire connected DV bridge, like the ADS Pyro AV Link.

    Saving files

    Steve,



    I'm still spinning my wheels with PE7. I'm closer than before, thanks

    to you and your book, but I'm still hung up on so many dinky problems...all

    keeping me from getting to the meat of my plans.



    Question: When I click the SAVE options, what format is it saved in?

    I bring it in as a VOB file....



    Question: Will the saved file be readable in any other programs except PE7?



    I edited one old movie I had some success. I haven't been able to duplicate it in any other movies though. Frustrating !!!



    Also, i removed some frames from the very beginning of the old movie. I

    saved it. But when I brought it back up later, it was just like it was

    before I worked on it. Spinning my wheels again.



    More later.



    Ken
    Saving files
    When you use the SAVE functions under the File menu, it is saving project information and that is not readable in any program other than PE. It does not save a video file in a format that can be given to someone else or that you can play. It does not modify the original video file that you brought in to Premiere Elements.



    If you look under the Share tab, there are various choices of how to ''output'' a video so it can be given/shared to someone else or play on your TV from a video DVD.



    %26gt;Also, i removed some frames from the very beginning of the old movie. I saved it. But when I brought it back up later, it was just like it was before I worked on it.



    I suggest that you describe more detail on what you mean by ''brought it up later''. For example, if you have tried to play your original video file outside of Premiere Elements, then no it would not be changed for the frames that you removed during PSE editing. However, if you had reopened a Premiere Elements project that you had previously saved (file menu command in PE) and then played from the Timeline of Premiere Elements and your changes were missing, then I would be puzzled. Perhaps someone else would have a suggestion.
    Saving files
    Ken,



    For a bit of discussion ''saving'' Projects, you might get some insight from: http://www.adobeforums.com/webx/.59b728f2/0



    I also did a full article on Save vs Save_As vs Save_As_a_Copy.



    BarbO sums it up nicely, but there are also reasons to do one of the above 3 above mentioned methods, just for the

    b PROJECT

    files, not anything that any other program (except for Premiere Pro with restrictions) can even use, let alone play.



    When I find the link to that other article, I'll post it too.



    Hunt

    Ken,



    Could not find the link (not sure why Search did not bring it up), but here is the article:



    From time to time, confusion often arises, as to what one needs to do to work within Premiere Elements (PE) and how to get their files out of it, while preserving the ability to do more editing, and not losing the work put into it.



    For the purpose of this article, lets assume a few things:



    1.) That you have already Imported your Assets into PE. Ideally, they will be DV-AVI files, that were Captured over a FireWire (IEEE-1394, often also called an iLink) connection from your miniDV tape camera *, and that you have located your PE Scratch Disks with the location of this Project on your hard drive (HDD), in PEs Project file format, .prel. This file is ONLY your Project and does not contain any of your Assets. It is only usable by PE **. Your Assets are where you stored them and are separate. The .prel file is only a reference for PE, giving it some info about your settings and the location(s) of all of the Assets. You cannot play it. It only exists for PE.



    2.) The Project settings, that you have chosen match your Captured footage something like NTSC 4:3 DV, with 48KHz 16-bit Audio.



    3.) All of your still images have been sized appropriately for what you plan on doing in this Project***



    Importing is complete and you are about to start to edit. What should you do next?



    This is a good place to do a Save (File%26gt;Save, or Ctrl-s), but what does that do and why? You see a few more options under File. Why not use one of the others?



    1.) Save this will Save your Project, as it stands now. Reason that I mentioned it, is you have already done the Capture and Importing, and do not want to loose that work, should something happen.



    2.) Save_As sounds almost like Save, but it has one major difference. It will Save your Project with a new name, that you will be prompted to type in. However, if you check the open Project, you will find that you are now working on a Project with that new name. Your original Project will now be a different file, and will not be open any longer. Any changes that you make from this point on will be included if you do a Save, but would not appear in your original Project file only the new one, with the new name. Why would you want to do this? If you are experimenting with new Effects, or techniques, or are branching off in a new direction from your original Project, this is often good to do. You have both your original Project untouched on your HDD, plus your new version of it. Just remember, any editing that you do will ONLY show up in this new Project. Save_As (and the next iteration) can be useful if you wish to use only some of the Assets in a new Project. If you do a Save_As, you can safely delete anything that you do not want, as your original Project will still be intact, with its original name.



    3.) Save_a_Copy this one sounds about like Save_As, as you will be prompted for a new file name. Why would you ever use this one? The biggest reason for it, and its difference from Save_As, is that it will do exactly what it states, which is Save a Copy of your Project, but you will still be working on your Project (under its original name). Many people use this to basically take a snapshot of their Project at that moment in time. It is the manual equivalent of PEs AutoSave function, except that you can invoke it, when you wish, locate this Copy where you wish and with the name that you choose.



    4.) While were here, lets talk about AutoSave. This is ON, by default, and will automatically Save_a_Copy of your Project to a subfolder within your Projects hierarchy. The subfolder will be named Adobe Premiere Elements Auto-Save, and the copies of your Projects .prel files will be [Project Name] - 1'' thru [Project Name] - 5,'' if you did not change the default settings in Edit%26gt;Preferences. This is done every five (5) minutes of editing and is automatic, unless you change the settings. If you loose power, or something bad happens, just navigate to your Project folder, and look for the AutoSave files. They can save you a lot of re-do. The first thing that one needs to do, should a Project fail to open, or one gets an error message, that the Project is corrupt, is to go to the AutoSave folder and try to open those, instead. Check the dates of the AutoSave files, and start with the most recent one. To do this, you need to be in View%26gt;Details mode from My Computer, or Windows Explorer.



    Much misunderstanding occurs around the Project files (those .prel files). What happens if you delete your assets from your system? Can PE use the .prel files to get them back? No. Only a link to where those files were and what the files were named, exists. If you restore your Assets to your system, but in another location, PE will try to use the .prel file to open your Project, but the links to the location of the Assets will be wrong. The program will prompt you to help it locate these files, in their new location. If your Assets are under the same folder name, but just on a different HDD, PE will smartly pick up on all Assets for that type in that new folder and link to all that it finds and needs for this particular Project. If you have your Assets in different folders, i.e. Video files in a Video folder, and Audio files in an Audio folder, youll have to navigate to those different folders to help PE re-link. Also, if you change the files names, the links will also be broken.



    Now, you have completed your editing, and everything is just as you want it. You hit Save (or Save_As, or Save_a_Copy) and are done, right? You can send the .prel file out to someone to view, right? No. Your Project can be re-opened, provided you do not remove, move or rename your Assets (see above), but you do not yet have a movie file. Remember, only PE can work with a .prel file. You cannot play it on anything, except by opening it back in PE. You have NOT made a movie yet.



    Well, Ive done my Captures, my editing and have used Save. Wheres my movie? It does not exist yet. Now is the time to decide what you want to do with your movie. Do you want to burn it to a DVD? Do you want to upload it to a Web page? Do you want to upload it to your iPod? These are just some of the choices that you have available. The decision is now yours, and should be based on how you wish to deliver your movie.



    [Next Step: How do I make my movie?]



    * The FAQs (look at all versions, not just the version that you are using, for the info) cover how to work with many other file types from other sources. Check them out, if you do not have a mini-DV (tape) camera, from which to Capture.



    ** For practical purposes. It can be opened in programs, like Excel and also in a text file reader, like Notepad, but all it has are bits of information for PE. Editing this file would be a subject for another article, and only done by someone who understands XML.



    *** The FAQs give information on sizing any still images, so that they work best in PE.

    Yep, I think the short answer, Ken, is that when you save, you're just saving the Premiere Elements project file. It's not a movie. It's just the document that tells Premiere Elements where all your editing cues go. And, no, no other program can read it.



    If you want to output a movie (whether it be an AVI, MOV, WMV, MP4 or even DVD) you should use the Share tab features. I walk you through how to do all that in the last chapter of the book.

    Mr. Hunt,

    Steve,



    I'll have to print out and re read what you guys have sent me.

    I'll read it a few more time....

    I do a lot of teaching of computers, but all basic...save, save as,

    copy/paste, Word, Excel, PP etc..



    What you guys write reminds me of my third semester French classes at

    Missouri U. 100 years ago !!!!



    All I want to do is bring some old old movies that are on DVDs

    per VOB format, clean them up a little, put a narrative on them

    and save them so my family can look at them in years to come..



    Probably 90% of what is in PE7 is not for me. I have to sort through

    and eventually get it done... thanks to you guys and Steve's book.



    After I digest what you guys have suggested, I'll be back.



    Ken

    Steve, Ed, Barb,



    I'm back.



    I've read everything you guys sent. I'm not sure I understand everything. I'll read it again.



    I did read the last chapter in your book, Steve, and was able

    to burn a small movie/video to a DVD and then played it back ok.



    It was badly in need of editing, so I'll go back to that frustration.



    Minor question: When looking at the VE7 menu, the print is a bit small...



    Is there a simple way to enlarge an area like you do on the www with

    hold down ctrl and hit the + or - keys. You mentioned that in your book, but I didn't think it related to the major menu page.



    Ken

    Unfortunately, no, Ken. Not that I'm aware of.

    Steve,



    I know that much of the detail of the PE Menus and those that I use in Encore is different, but the basic structure (Button Layer Sets) is the same. Can one use PSE to modify the font size?



    If so, a caveat to Ken would be to be careful, when doing this, as the active area of the Button will also increase and one cannot have any overlap of Buttons - absolutely zero.



    I don't want to launch off on a ''how to do this in PS,'' as it might be all wrong for PE adn PSE suite. This assumes that Ken has access to PSE, or PS (full).



    Ken, there are also quite a few PE Menus on the Muvipix site. You will need to subscribe/purchase for most/all of that content. You might want to look around at www.muvipix.com and see if any Menus there suit you better.



    Just curious,



    Hunt

    Steve,Ed Hunt, Barb, Robert.....



    I feel a little better. I brought a movie clip, VOB format, into PE7, did a little editing...what I wanted to do, Saved

    AS, then went to Shared (after reading the last chapter of your book)

    and burnt it to a DVD. I could play it in my pc and my dvd/vcr recorder/player !!!!



    Question: Some of the ''clips'', ''slide'', ''frames'' are fuzzy, or dark

    etc... faded... Will PE7 clean that up ? And if so, is it real

    complicated?...for me, not you guys !



    Next project right now, will be to put a running commentary/narrative

    on the movie. I'll see what your book says, Steve.



    Going to the high school now. We're helping folks work with graphics so that can improve their jpg's etc.. It should be fun.



    The AVERAGE age is the folks is about 65. I'm not telling you my age.!



    Ken

    %26gt;Question: Some of the ''clips'', ''slide'', ''frames'' are fuzzy, or dark

    etc... faded... Will PE7 clean that up ? And if so, is it real

    complicated?...for me, not you guys !



    Where do they appear fuzzy or dark, Ken? In the final DVD or in Premiere Elements?



    If in Premiere Elements, look to see if there is a red line above the clips on the timeline. This means the clips need to be rendered.



    To do this, press Enter and let the program do its thing. The red line will turn green and you'll see a better representation of what your output will look like.

    Steve,



    I got your response ref to bad film, but can't find it on this

    chat site.



    These are 8 mm movies from 50 years ago. The cameras were ok, but

    inside pictures were awful...lighting was a problem.....



    ...so, the pictures are fuzzy, etc.. from the original filming.



    No big deal, but I wondered if PE would do anything for that..automatically !!! or at least in bulk areas.



    Ken

    Monday Morning, 2/15/09



    I'm on PE7



    I've got Steve Grisetti's book on PE7. Good book.



    Lots of little questions that bug me.



    One:

    It seems I have three different files:



    *.prel I understand that one

    *.MACC Does it hold basic info for each *.prel file?

    *.log What does this do?



    Ken Clayton

    Well, log files generally provide error reports when some process fails.



    MACC files are part of the media cache. I can't pretend to be an expert there, Ken. But I do know it keeps record of ''peak'' files (a map your audio that it makes when you first import a clip into a project). It probably stores other media info too.



    About all I know about media cache files is that, if they get too overwhelming and start to bog down a project, you can delete them by going to Edit/Preferences/Media Cache. But then, when you next open your project, the program will need to recreate them.

    Although, now that I've opened a few log files, I see they also record some editing actions.



    Hmm. Just goes to show you can drive a car for years and never bother to learn where the fuel pump is! Not that you need to know in order to drive...



    So I guess, even after some 5 years with this program, there are still some functional things I haven't poked around with.

    Steve,



    Thanks for responding. I've been blocked out of this site. A

    John helped, but I still have to get in through the ''back door''...



    I have lots of dinky questions yet...



    If I am NOT in PE7 and go to the *.prel file and change it's

    name, it will not be available when I bring it in from PE7?



    If I wish to change the name, I should use the ''Save as''...

    *******************************

    Also, on page 63 of your book, Effects, how do I ''mark''

    the frames I want to work on?



    Ken Clayton

    Ken, if you've got a lot of questions about the Muvipix.com guide, why not post them over at http://muvipix.com/phpBB3/



    That way you can have the benefit of the whole Muvipix team of experts instead of having to wait for me to come back online.

    Steve, (Ed, Barb)



    I went to Muvipix.com as you suggesed, and got no where. I'd be in ''the lounge'', write a note, but never got an answer. I'm not

    sure where the answer was suppose to be posted.



    I''m doing real well. I''ve digested your book, but I can't find

    an answer to a simple problem: (answer ?? page 97, 53, 48)



    PE7: I bring up a video. I drag it to the timeline, I click on

    Edit. I have about five frames at each end of the video that I want

    removed/deleted. I move the CTI to where I want to delete the frames (left end), go to the scissors icon, bring it to the video's

    left end where the CTI line is.



    But the scissors's brackets point right, not left. Same for the

    right end of the video.. the brackets point to the left. I can easily

    delete the entire video, leaving what I want deleted showing !



    It seems if I'm in the middle of the video the scissors gives me

    choices, the brackets going left and right.



    Page 48, 53, 97 instructs about this, but it I'm still not solving

    the problem.



    Ken Clayton

    I'm not sure what's up, Ken, but no post goes unanswered at Muvipix!



    Are you sure you're logged in every time you visit?



    As for the slice tool (the scissors) as it says in the book, all you've got to do is select a clip on your timeline, place the CTI where you want to cut and then just click on the scissors icon on the monitor panel. That's it! It's cut.



    Then you have to click on the portion of the clip you want to remove in order to select it and press your Delete key. Poof! it's gone.

    Ken,



    Do you see a ''black line'' form in your Clip at the CTI, when you hit Sissors? Might have to zoom the view of the Timeline in a bit.



    Steve,



    So the name changed to ''Sissors'' in PE7? Wasn't it ''Razor'' before? I know that Pinnacle, back in S-7 through 9, called it ''Sissors.'' Learn something new every day.



    Hunt

    It's a razor in Premiere Pro/CS, Hunt. But in Premiere Elements, the icon is a pair of scissors. The tool is merely called the slice tool.

    Steve and Ed,



    Steve, your second short paragraph answered my frustrating little

    problem. the Sissor's brackets only pointed one way and i thought that was my only delete option. When I click on the opposite directions of the backets, as you said,

    it worked. Now I go back through about 10 video and clean them up.



    Ref to the Lounge you sent me to... i click there, no requests for

    signin, just ''Ken Clayton has signed in at 3:30 a.m'' I type a note,

    and, as before, and that's it. I have a full sized blue screen on the

    left and two split (half up,half down) on the right with a flashing

    bar on the lower right blue screen where I type my question.



    I love your answers, Steve, but I presume you have a few other things

    in you life to do rather than answer my dumb questions !



    Ken

    Steve,



    Thanks for that clarification. Obviously, I have not read your entire book yet. Maybe on my next flight. That is where I do much of my technical reading - there, and on the ''throne... ''



    Appreciated,



    Hunt

    I consider it a privilege to be able to help, Ken. That's why Muvipix and the book are all about.



    I'm still not quite sure what you're seeing on the Muvipix forum though, Ken. But I hope you'll work through it. There are so many wonderful, helpful people there that no question goes unanswered for long!

    Steve,Bill,



    I still can't get any info in the site you gave me. I sign in with

    name and password. I can put in

    the question, but get no response. Am I to go to a different ''Louge''

    to get an answer?



    Question: I've done a lot of work on my first set of videos. I

    want to back them up on a external HD. Is it best to completely

    save it as a *.avi or *.wmf file to a DVD. Ready to read on other PCs. If I ''save as'' from to a EHD, will that work...???



    Ken

    Ken, I'm not able to find you listed as a registered member at Muvipix listed as either Ken Clayton or Clayton Ken. Would you e-mail the logon you're using there (steve at muvipix.com) and I'll see if I can figure out what's going on.



    Your questions would be ideal for the forum at http://muvipix.com/phpBB3/

    Steve,



    Here is where I went...

    http://muvipix.com/phpBB3/chat/flashchat.php



    From the site you gave above, this isn't where you wanted me

    to go.



    I'll try the above site and let you know.



    Ken

    Oh, that explains it, Ken! You went into the chat room and no one else was there.



    Naturally, if you go to a chat room and post a question and there's nobody there to answer it, your question won't still be there when you return.



    The forum I directed you to is a standard forum, where you post questions and get answers.

    Steve, ( %26amp; Hunt),....



    I've gone into the site you advised, Muvipic Community. Where do

    I go from there to get into a chat/help room? I've tried a dozen

    places, even left a post, but two hours later it said I hadn't left

    a post.



    Please be specific as to what I click on. I've had as much trouble

    trying to get help (well, you were great, Steve) now, as I did figuring out the PE7.



    I have several questions I need answering. I've done four videos (100 to go) and they are saved on a thumb drive and they looked great on my desktop, but it was a pain !



    Ken

    Ken, you don't want to go into a chat room. That's where you were!



    The link I posted above gets you directly to the forum. Just scroll down the page, find a sub-forum you want (Premiere Elements 7, for instance) enter it and post your question(s).

    Ken,



    As Steve points out, the Chat Room is for semi-live banter and is volitile, in that it is for here and now, not later. It's like having something in the RAM of your computer and then you shut it off. Everything in RAM goes away, when the power is cut. Think of the Chat Room as a telephone call - it exists in space for a very limited time and is immediately gone. I won't get into the science of telephone conversations beaming through out the universe. In practicality, we cannot retrieve them.



    The Community (basically the forums) is non-volitile, in that you post to that, and your post remains, essentially forever. This is like having something on the hard drive in your computer. You cut the power, and it still remians. All you have to do is go back to Community (like navigating to that folder on the hard drive with Windows Explorer), and your post is still there, plus the replies that follow it. This can be like a telephone conversation (with long pauses for replies) that is recorded. You can revisit them at any time. This is where you need to (and want to) post your questions.



    One last concept to throw out. This forum and others, like Muvipix, serve two purposes: they usually provide the OP (Original Post/Poster) with information and solutions. Next, they provide others with that info later on, if only they search for it. Most errors and problems have been discussed before, many with solutions. That is why it's good form to always close a thread (a topic in a forum), with a final report of what worked, and what did not. Then, a new user hits the same problem a year later, and does a search. They see the OP's question/problem, the replies to that question, and finally the OP's closing reply to the thread with ''thanks, turning off Video Acceleration solved my problem... '' or similar. The new user sees the question, the replies and knows exactly worked for the OP. They then know where to start to solve their own problem. All too often the OP never comes back, so a new user is left never knowing what worked, or did not. This is not directed to you, or to your problem, but is a very general statement that all posters, with a problem, should think about.



    See 'ya on Muvipix!



    Hunt

    deleting menu in pe4

    I'm sure this has been addressed previously but I will ask it anyway...

    I had inserted a menu marker in a project when I added a menu. I later removed the marker, which was at the beginning of the video. I removed it a few days ago and can't remember what I did but I think I just clicked it and pressed delete - I know i didn't use a clear marker procedure. The marker does not appear in the timeline but the menu showed up in the burned dvd. I can't find a menu marker to delete...I don't want a menu in the project...What do I do?



    I should explain that I'm trying to upload this video to youtube and it keeps failing - I've suspected the menu is the problem and I want to remove it to see if that fixes the problem.



    I hope this makes sense...
    deleting menu in pe4
    I'm not sure what you're doing, but I don't know of any way to load a DVD, with menu, to YouTube.



    Meantime, does this marker still appear when you preview the DVD menu in Premiere Elements?



    If not -- but it still shows up in your final DVD -- you may need to clear the media cache (Edit/Preferences) and delete your render files. You can also try doing a Save As and giving your project a new name so that the program must rebuild its rendered files.

    Audio out of Sync

    HAVING A PROBLEM ON THE AUDIO OUT OF SYNC SOMETIMES. I RUNNING PE7, A CANNON HDV30 SHOOTING IN HD NOT TO SURE WHAT SETTINGS TO USE WHEN SETTING UP TO CAPTURE. IV'E TRIED SEVERAL DOESN'T SEEM TO MATTER. I KEEP THE CANNON ON AUTO SO NO CAMERA SETTING ARE INVOLED. WHEN I VIEW THE VIDEO THROUGH THE CAMERA THE SYNC IS PERFECT. AND ITS NOT THE WHOLE TAPE JUST SOMETIMES. ANY IDEAS?

    MY EQUIPMENT IS:

    GATEWAY FX 4800 2.66 QUAD CORE VISTA 64 HOME

    1 750 HD AND 1.5 HD

    USING FIREWIRE

    6 GIGS RAM

    ALL DRIVERS CURRANT

    ALWAYS DEFRAG
    Audio out of Sync
    You don't need to post the same question twice ;)

    Does Adobe Premiere 7 work ok and is it...

    Does Adobe Premiere 7 work ok and is it supported under Vista 64 bits operating system?
    Does Adobe Premiere 7 work ok and is it...
    No, it's not supported under any 64-bit operating system.



    But it seems to work in compatibility mode, which turns on automatically in Vista. It may occasionally suffer a hiccup, but it seems to work for many people.



    Just make sure all of your firmware, RealTek drivers and Quicktime are up to date.
  • facial blackheads
  • Stop motion chroma screen problem for...

    I am trying to use green screen for stop motion movies and I do know how to set it for each frame but how do you get all the frames to accept a single back ground picture at once? I have to insert the effect one at a time into each frame. I cannot use ''select all'' and then insert...the option will only work on single frames which for hundreds of frames is very time consumming. Is there a batch frames work around?



    Thanks



    Kevin
    Stop motion chroma screen problem for...
    I am thinking you might want to export the timeline, File/Export/Movie, and bring the single AVI file into your project. Then you can apply the effect one time to the whole thing.



    http://muvipix.com

    Because There Are Stories To Tell...



    Everything you wanted to know about Premiere Elements and More, now on a newer, faster server :)
    Stop motion chroma screen problem for...
    Hello K Stout,



    * You can Rightclick on the clip and choose ''Copy''

    * and then selected the remaining clips and rightclick and choose ''Paste Attributes''. Voila - you are done.

    Just remember that doing the Paste Attributes will add ALL the effects from the copied clip to ALL of the selected clips. Any effects already applied to those clips will still remain expect for Adjust, Motion or Opacity keyframes, those will be overwritten.



    Best to practice on one or two clips to see what the results will be before doing a large group of them.

    CATALOG PSE6 failed to convert

    After installing PrEl7 complete, I uninstalled it and reinstalled PrE7 minimal, to save space. Installation went fine, but catalog from PSE6 failed to convert, unlike the first time. What are my options?
    CATALOG PSE6 failed to convert
    From the FAQs at the top of this forum.

    http://www.adobeforums.com/webx/.59b78a03
    CATALOG PSE6 failed to convert
    The FAQ discusses rebuilding the Premiere Elements Organizer Catalog, but that is not what I want to do. I have rebuilt my Photoshop Elements Catalog, by reconnecting missing files, etc. and now I want Premiere Elements to pick up the PSE6 catalog - which it failed to do when I installed it. There is no catalog in my PremElem7.

    Edwin ,



    Premiere Elements 7 has the File %26gt; Catalog Open command where you can choose which catalog to have open in Premiere Elements.



    However, I am not sure if Premiere Elements 7 can use a Photoshop Elements 6 catalog. Is that what you are intending to do?



    Do you have Photoshop Elements 7? The catalog functions in Premiere Elements are very limited: if you have Photoshop Elements 7 I would upgrade a PSE 6 catalog in PSE 7 and then use it in PRE 7.

    I agree with you, Barb. I don't think version 7 can use the version 6 catalog. That's why I suggested Edwin force the program to rebuild it.

    Steve,



    We have both concluded that v7 Premiere Elements can not use the v6 catalog.



    However, recreating the catalog (as referenced in the FAQ) would loose the tagging information for the videos and I am interpreting Edwin's posts to mean that the tagging info is important to him. So that is why I am asking if he has Photoshop Elements 7.

    Are you sure you lose the tagging, Barb? I thought tags and metadata were attached to the files themselves, not just to the Organizer's link to them.



    I could be wrong though...

    Steve,



    I did a test tonight with Photoshop Elements 6 Organizer using a classroom system (Premiere Elements was not available).



    After I had applied a Tag to 1 DV-AVI file (Canon mini DV camcorder) and applied a Tag to 1 .mpg file (Sony HDD SD camcorder), I looked at each of the files for metadata using Gspot. Gspot showed nothing in the ''Userdate/metadata'' area. So is it not there or is Gspot not displaying it?



    Edwin,

    %26gt;reinstalled PrE7 minimal



    %26gt;but catalog from PSE6 failed to convert, unlike the first time



    As I read these phrases again, it stands out to me that you say the PSE 6 catalog converted successfully the first time. So we might guess that the Prem Elements v 7 minimal install is missing what you need to convert the PSE 6 catalog.



    Now IF you do have PSE v7, I do suggest that you use it to upgrade your PSE 6 catalog to PSE 7 as I previously mentioned - then open it in Premiere Elements 7.

    Thanks for the research, Barb. That's very enlightening!

    I am disappointed in this lack of catalog support. Here is what happened:



    There is a PrE7 forum entry of about 2-3 months ago, where a COMPLETE installation of PrE7 (4 GB) took about 8 hours, but appeared successful, including conversion of my PSE6 catalog. Several forum respondents said something must be wrong, and I should reinstall, which I did, not as complete, but shortened (%26lt;1GB) which completed in 15 minutes. But, as Barb confirmed, the catalog will not convert from PSE6. Why did it convert a few months ago?? The technology must be in flux. Or is something missing in the short version?



    I have worked on my catalog of 15,000 images for some 8 years, using 120 tags, originally starting in Photoshop Album 2.0, and including both still images and video. There is also forum correspondence on my conversion from Album 2 to PSE6, which was finally successful, and which I am VERY eager to preserve, especially since Adobe made it so difficult to give permanence to PSA and PSE catalogs. I do have a PSE7 upgrade but chose not to install it so far, and now that the catalog permanence has been endangered again, probably to promote upgrade sales, my hesitation escalates. My Adobe catalog is more important to me than a Premiere catalog in an uncertain and impermanent format. I do not use a folder system, but the PSA/PSE catalog system on which I am really dependent for handling this many images.



    Does anybody have a recommendation for my apprehensions? How can I start a video-only catalog in this shaky PrE7 ? The suggested tags (too light, etc.) are not really catalog-type tags.



    Edwin M

    I think you're definitely to the point where this merits a call to Adobe Tech Support, Edwin.

    http://www.adobeforums.com/webx/.3bbe7d56

    %26gt;How can I start a video-only catalog in this shaky PrE7



    1- Please search your hard drive and check if you have any file with the pse7db file type? (be sure to have hidden files visible when you are searching) If yes, post the folder in which you find it and what its last modified and creation dates are on the pse7db file.



    2- Are you using a PSE 6 catalog with the default name of ''My Catalog'' or have you created a catalog with your own name? Also do you use the default or a custom location for the PSE 6 catalog? Are you running XP or Vista?



    ----------------------------------------

    the following are more general comments so I have separated them from the above specific response :



    %26gt;as Barb confirmed, the catalog will not convert from PSE6. Why did it convert a few months ago?? The technology must be in flux. Or is something missing in the short version?



    Based on what you reported it would seem that the conversion support may not be in the minimal/short version. I don't know for sure and I think that you might need to ask that question to Adobe tech support.



    %26gt;I do have a PSE7 upgrade but chose not to install it so far, and now that the catalog permanence has been endangered again, probably to promote upgrade sales, my hesitation escalates.



    I do think that it would be better to discuss this part of your question over in the PSE forum. I don't understand why you think that catalog permanence is endangered again: I do not agree with that conclusion. Upgrading a catalog is a normal activity when going to a new version of Photoshop Elements and now also Premiere Elements. I also started with Photoshop Album 2.



    Now I realize that the upgrade from PSA 2 to PSA 6 was difficult and it has been difficult for other people too. I do think that Adobe should have been better at anticipating that people would be converting from PSA 2 to PSE 6 (for Vista support as well as for other reasons).



    You have cleaned up your catalog so to do the upgrade from a PSE 6 catalog to a PSE 7 catalog should be much simpler. Personally, I have more confidence in Photoshop Elements 7 and the PSE 7 catalog than I do in version 6.

    Adobe Premiere Elements 7 Errors

    When I burn a DVD, I get an reptitive error relating to file VideoSegmentsImpl.cpp-110 and the music that is installed on the menu screen does not play. I reinstalled completely...no help. Any ideas?
    Adobe Premiere Elements 7 Errors
    When doesn't the music play? When you preview the DVD? After you burn it? It won't even import into your project?



    Meantime, please work through our troubleshooting FAQ. If you can describe, in as much detail as possible, you results for each step, we'll be better able to diagnose your problem and offers solutions.

    http://www.adobeforums.com/webx/.59b5f52c/1

    Premiere Elements 7 Can you simply add...

    OK I'm used to pro edit systems but surely there's a painless way to grab a shot and stick it on the timeline as a cutaway without bringing it's associated audio track with it!!! (say I'm making a music video and I just want to drop mute shots onto the timeline, even when the shots I choose have audio associated with them)



    Or am I missing a trick here?



    Steve
    Premiere Elements 7 Can you simply add...
    J-cuts and L-cuts are very easy in timeline view, Steve.



    You can't bring the clip in without an audio track, but it's easy enough to remove.



    Just drag the clip to a track above your A-roll clip, right-click on it and select Delete Audio.
    Premiere Elements 7 Can you simply add...
    OK.... clunky and not as easy as it should be but I guess it's one way. It would be easier to be able to simply deselect the audio in the source window before you drag to the timeline... but hey... who am I?



    Steve

    New to AVCHD

    I just bought a Canon HF100 and will be getting a new computer soon to handle the format. I will also need some video editing software. I want to record in HD, edit in HD and then burn 1080 to standard dvd to view on PS3 with little to no degradation and with good system / software performance and stability. I know this is a Premiere forum, but I am hoping to get honest answers to a few questions.



    1. Are there big stability differences between Premiere 7, PowerDirector 7, Pinnacle Studio 12 or corel VideoStudio Pro X2?

    2. I have read that all of these tools require lots of horsepower to avoid crashing, studdering, extreme slowness, etc. Do you recommend more horsepower than the following components?

    i7-920 2.66GHz

    4GB DDR3 SDRAM

    640GB SATA (7200 rpm)

    512MB ATI RADEON HD 4850

    3. What have you found to be the advantages of Premiere 7 over the other options I provided?
    New to AVCHD
    You can't burn an AVCHD DVD using Premiere Elements. You would need to use something like Corel (formerly Ulead) DVD MovieFactory as well.
    New to AVCHD
    Thanks Peter. Any thoughts on the other questions?

    I have read of some issues with PowerDirector and VideoStudio Pro X2. With PowerDirector there are some issues with the smart rendering of AVCHD not working... there again PE7 does not have this feature. VideoStudio Pro X2 has a bigger issue, and one reason I have not bought it, after a cut or transition with AVCHD you get a ''blip'' in the video playback... not good.



    The i7-920 2.66GHz would be great for AVCHD, as you say the more horse power the better, but that processor will be fine.



    Premiere Elements 7 has the advantage of more ''depth'' than the others, this comes about from the fact it is based on the Pro version. However, the others give you more glitsy effects.

    FLIP AVI and WMV files

    FLIP is a new tiny pocket camcorder that produces good 640x480. It has software that places its videos on your computer as WMV or AVI files. The latter will not open in Premiere Elements 7, although earlier avi's did. What am I doing wrong? I believe the WMVs will open but am not sure. Does anybody have experience with Flip?



    Edwin M
    FLIP AVI and WMV files
    AVI is but a wrapper. It can contain all sorts of CODEC's. I recommend G-Spot (www.headbands.com/gspot) to see what is inside. Maybe some users of Flip can tell you, but G-Spot is invaluable.



    Hunt
    FLIP AVI and WMV files
    Have you seen this article, from the FAQs at the top of this forum?

    http://www.adobeforums.com/webx/.3c05aeab/1
  • facial blackheads
  • Premiere Elements 7 - Interlaced...

    Hi there,



    I have AVCHD material from a Canon HF-100.

    Editing and exporting to AVCHD works fine.

    Exporting to another format, MPEG-2 DVD or WMV, always shows horizontal interlaced stripes. It's not like it's a wrong field order, just bad quality...



    Any tipps?



    Thanks!

    Alexander
    Premiere Elements 7 - Interlaced...
    It's a problem concerning WMV: Only WMV9 Advanced Profile supports that, and I cannot set it to ''interlaced'' in the export. Any ideas?
    Premiere Elements 7 - Interlaced...
    Are you working from a project that's set to the AVCHD project presets?



    Regardless, this could be a major challenge. After all, you're taking a highly-compressed, high-definition image, uncompressing and transcoding it, then re-compressing it as a 320x240 video.



    But maybe someone who has successfully done this with AVCHD footage has a recommendation.

    Hi Steve,



    I want to export to 1920x1080 HD WMV, which is supported by WMV9AP.

    The AVCHD footage is not the issue, it is the export settings in Premiere Elements, I'm sorry to say.



    Other tools can do it perfectly.

    There are interlaced and progressive export options for WMV which you can customize to the desired HD resolution.

    Paul, please give me some more advice - I just cannot see any such options or settiags anywhere.

    TIA,

    Alexander

    If you go to Share, Personal Computer, Windows Media you have a number of export presets. There is HD 1080i (interlaced) and HD 720p (progressive). If you select either you can go into Advanced, Video and set the frame size to 1920x1080. You can then export either interlaced or progressive at 1920x1080, note the interlaced export has the ''Allow Interlaced Processing'' check box in Advanced selected.

    Hi Paul,



    thanks for your efforts. But this brings me back to my initial problem:

    The only Windows Media Codec, according to Microsoft, actually supporting Interlaced material is ''9 Advanced Profile''. The others need to deinterlace the material!



    If I select ''Advanced Profile'', the ''Allow Interlaced Processing'' checkbox disappears.



    Hence, the resulting WMV clip has drastic ''combing'' effects.



    The only workaround I currently see is to deinterlace the material and encode WMV progressive - but that will never reach the same quality as keeping it interlaced.



    To illustrate, I've uploaded some testclips (approx 129 MB):

    http://rapidshare.com/files/199081597/samples.zip.html

    MD5: 647299BC3E37747734F7C37AA80D57B6



    '_source.m2t' is the source AVCHD file

    Three WMV files (all starting with 'Premiere') to illustrate what goes wrong. One uses the original Premiere settings 'HD 1080i 25', one uses that setting, but with a frame width of 1920, one is a test setting I made for 9AP.

    In all three Premiere export clips, the people moving through the picture show the mentioned effects. If one knows where to look, it's visible everywhere, but it shows best in moving objects.



    One WMV file ('TMPGEnc 4.0 Express Test 3.wmv'), which shows what I would like to accomplish with Premiere directly.



    Thanks again for your time,



    Alexander

    If you see combing when playing back, such as in Windows Media Player, then the Allow Interlaced Processing that you ticked actually worked when you switched to WMV 9AP, even though that option disappeared.



    As an experiment, switch to WMV9 and uncheck that option if its checked. Then switch to WMV9AP and export. You will see a difference. Playback should look smoother, without combing.



    The one that doesn't look combed will be the one where you didn't tick the option before switching to WMV9AP.



    Another point is in order for the ''Allow Interlaced Processing'' to work, the export dimensions must match the source dimensions. At least that is what I was told when I was working with the Windows Media Encoder 9 Series.

    Morning Robert,



    thanks for your efforts, but that was not the solution. Did you actually test it?



    Sorry to disagree:

    Checking the ''allow interlaced'' option and changing the codec to WMV9AP ''unchecks'' the option, and it is not applied at all. Whatever it is meant to do, whatever I try, Premiere _always_ exports WMV as progressive clips.



    Also, in my experience, Windows Media Player doesn't show combing effects on proper interlaced material, it is quite capable of playing such material properly (download my testclips, if you like). But, to avoid errors which might lie in a single Player software, I test all the clips in this issue on Windows Media Player, Xbox 360 (directly and via Media Center Extender) and on the Playstation 3. All show the same problems.



    So, finally, not sure if this is a bug or just a lack of an important feature: Adobe, please enhance the WMV export to properly handle interlaced material. TIA!



    Alexander

    Of course I tested it Alexander. I know what I'm doing.

    Didn't want it to sound like that, sorry.



    Still, I only get progressive material out of Elements 7...

    You are so right, Alexader. I have to say that I get a ''F'' on this one. I must have been seeing what I wanted to see.



    I found out using Windows Media Encoder 9 Series that in addition to the ''Allow Interlaced Processing'' option, there is another option on a different tab that you need to check to actually make the video interlaced. If that isn't checked off, then you still get Progressive flag but with an indication that the scan was BFF or TFF (according to MediaInfo). I haven't read far enough to know what is going on with that.



    So in Premiere Elements, not only is the ''Allow Interlaced Processing'' option on the wrong format, there isn't a option to make the video interlaced.

    Hi Robert,



    thanks. I have a ticket open with Adobe Support, hopefully they'll fix it.



    Bye

    Alexander

    PE3 installs on Vista 64; nothing runs...

    I'm trying to install Premiere Elements 3.0 on my new Vista 64-bit machine. Nothing happens once the splash screen disappears. Here are the details:



    - The PC has 4G RAM, full system updates applied, etc.

    - I installed, in order:

    - Quicktime

    - PE3

    - PE 3.0.2 update



    I checked Event Viewer. Everythng had installed correctly, except Adobe Help Center (error 1063), so I ran the Help Center installer by itself (from F:\Premiere Elements\help center); this time, it installed correctly.



    Unfortunately, running PE3 gets me nowhere. I get the splash screen (which indicates ''v3.0.2'' and ''Windows XP; multi processor detected'', a good sign). The last item displayed on the splash screen is ''Loading Wave_Warp.AEX'', then the splash screen disappears and... nothing.



    Event Viewer shows no error message whatsoever. I also tried deactivating XP compatibility in the PE application's Properties -%26gt; Compatibility tab; same result.



    What else can I do to make PE3 run on this machine? Many thanks for your help.
    PE3 installs on Vista 64; nothing runs...
    Note that no version of the program is yet approved for 64-bit operating systems. It may still work -- but can be buggy.



    Regardless, I'd try uninstalling the program and reinstalling it.



    Still, I'm curious why your splash screen shows Windows XP detected...
    PE3 installs on Vista 64; nothing runs...
    Also try updating your audio drivers... crashing after wave_warp.aex points to the audio driver being out of date.

    and do check for application like Total Recorder, which might conflict with Premiere Elements.

    @steve: ''I'm curious why your splash screen shows Windows XP detected...''



    That was when I had the compatibility tab set to Windows XP.



    @Paul: ''Also try updating your audio drivers... crashing after wave_warp.aex points to the audio driver being out of date.''



    Good call, but updating via Device Manager reported that my Realtek High Definition Audio audio drivers are the latest available.



    @titanic: ''do check for application like Total Recorder, which might conflict with Premiere Elements.''



    No sign of Total Recorder on my machine.



    Thanks for all the replies; what should we check next?

    Charles,



    Rather than rely on Device Manager, you might want to go to the Realtek site and check. If your computer mfgr has a site, I'd check there too. Companies, like Dell, do a good job with driver updates, as many of theirs are proprietary.



    Realtek often has weekly updates for the drivers on some of their chips.



    Hunt

    Bill,



    I installed the newest Realtek audio drivers (18/02/2009) and NVIDIA drivers, ut PE3 still disappears into thin air when the splash screen lists wave_warp.aex.



    Should I try reinstalling PE3?



    Thanks,



    Charles

    Yes. And make sure you have the latest version of Quicktime.

    OK, I've reinstalled PE3 (repair install, not uninstall/reinstall) and installed Quicktime (7.60.92.0). Still the same problem.



    I really want to be able to experience Premiere Elements on this new, blistering laptop! (LG P310) Thanks for your continued help.

    It, unfortunately, just may be too big of a leap for version 3.02 (the first that was Vista compatible) to make the leap to Vista 64, with its sometimes uniquely 64-bit drivers.



    I'd recommend downloading the free trial of version 7 and giving it a test drive. If it works, you'll know that the problem is unique to version 3.

    Pretty bad that all these same problems and no easy solutions. Does Adobe want to step up to the plate here and figure out what is going on?

    I have over 9,000 dollars invested in hardware/software for video production. Only to have this same problem with no solution?

    Thank you Adobe,

    Now how about a patch?